Milad Mardakheh’s “Improvisation in Rāst Panjgāh” is an engaging track that combines ambient sounds, feedback, and drone elements to create a captivating auditory experience. Experimental in nature, the track serves as the opening piece for his album Random Walks, which delves into the realms of improvisation, random number generators, computer music, and Persian classical music.
Random Walks juxtaposes the aesthetics of algorithmic computer music with the rich modality of Persian classical music. Written almost entirely in SuperCollider, the album features both fully-improvised and semi-improvised compositions. At its core, the album explores the interplay between human creativity and computer-generated randomness, resulting in a unique fusion of traditional and modern musical elements.
“Improvisation in Rāst Panjgāh” is a recording of a fully-improvised live coding session in SuperCollider. This process showcases a dialogue between the composer and various random generator algorithms, such as Brownian Motion, from which the term “Random Walk” derives. The track captures moments where the seeming chaos of algorithms intersects with human creativity, resulting in unexpected musical landscapes and new artistic expressions. This symbiotic relationship between human intention and computational serendipity adds an element of unpredictability and spontaneity, making the track a compelling listen for fans of experimental and ambient music.
