“Working The Weekend” by Jae Soto opens with a playful energy, where percussive synths take the lead, soon joined by an uncomplicated drum part. The vocals, integral to the groove, create a dynamic atmosphere that allows the track to breathe. As improvisatory synth lines unfold, they pave the way for a chorus element that is both effective and seamlessly integrated into the structure of the song.
In Jae Soto’s own words, “Working the Weekend” is a tongue-in-cheek portrayal of working-class life. The minimalist lyrics offer a snapshot of the day-to-day grind, capturing the pressure cooker of emotions associated with it. The track skillfully navigates from the turning shoulders against oppressive heat to moments of frustration symbolized by smashing glass. The chorus, with the erupting declaration “I won’t make it out,” introduces a playful nihilism that embraces the trap of inequality with a knowing laugh against a danceable backdrop. This juxtaposition reflects a deliberate decision to find humor and release in the overwhelming struggle.
The unique sonic landscape of “Working The Weekend” was crafted using the vintage Roland Alpha Juno 2 synthesizer. Jae Soto focused on the Juno 2’s marimba and xylophone patches, processing the sounds through Ableton Live’s Max MSP experimental effects chains. The bright and blippy sounds created by this approach serve as a compelling juxtaposition to the heavy subject matter, creating a kaleidoscopic soundscape with overlapping patterns—a delightful result of what Jae describes as a “happy accident.”
Jae Soto, based in Brooklyn, is a songwriter and producer whose work spans indie-alternative and experimental pop. Her music, which combines traditional songwriting with processed sounds, forms a playful symbiosis that recalls beloved eras of musical transformation. Drawing from her experiences as a session singer in large modern jazz ensembles and her exploration of NYC’s music and dance scenes, Jae Soto weaves a tapestry of eclectic sounds and cultures into her unique sonic context.
